Ranked list
The 10 Best Deep House Albums
Deep house as the warm, chord-led, unhurried end of the tradition: Larry Heard's Chicago, the New Jersey and New York school, Detroit's house wing, the German microhouse producers working for depth rather than reduction, and the outsider generation still in the register now. The parent house list has its own page and several of these records appear there too. From 1986 to now.
Deep house is the only genre in this canon named after a feeling rather than a technology or a city. Nobody agreed a definition and everybody recognised it: seventh chords, a Rhodes, something near 120, and an emotional register between longing and contentment. Larry Heard arrived at all of it in Chicago around 1985, which has been a problem for everyone since.
The problem is that the form is easy to approximate and very hard to fill. A pad and a shuffled hi-hat will sound deep for four minutes. What separates the records below is that each has a reason to exist at album length: Heard has songs, Sprinkles has an argument, Moodymann has a city's worth of attitude, Herbert has a singer and a set of rules.
It is also the least fashionable thing here to take seriously and the most durable. House trends have turned over every five years for three decades and this register outlasted all of them, mostly by never depending on being current in the first place.
The ten
- Number 1 on The 10 Best Deep House Albums
Fingers Inc. — Another Side1988
№ 57 on The 250 Best Electronic Albums of the 20th Century
The record where house stopped being tracks and became songs. Heard's programming breathes because he came to it as a drummer, and Owens remains the voice every deep house vocalist is measured against.
Why it is number one
Larry Heard was a drummer before he was a producer, which is why nothing on this record ticks. Another Side arrived in 1988 with Robert Owens singing over it and works less like a house record than like a soul album made by two men and a machine. Owens sings as though he wandered out of a church and could not decide whether to go back in. Heard gives him seventh chords, space, and a rhythm section that breathes rather than marks time. Everything tender the genre has managed since is a response to this, and most of it is a worse one.
- Number 2 on The 10 Best Deep House Albums
DJ Sprinkles — Midtown 120 Blues2009
№ 54 on The 250 Best Electronic Albums of the 21st Century
Terre Thaemlitz opens by explaining what house was for and who paid for it, then spends an hour proving it over the deepest tracks anyone made that decade. An argument and a beautiful record at once, which almost never happens, and it refuses every comfortable assumption the genre had settled into.
- Number 3 on The 10 Best Deep House Albums
Larry Heard — Sceneries Not Songs, Volume One1994
№ 120 on The 250 Best Electronic Albums of the 20th Century
Heard alone, in his ambient jazz register. Almost no vocals, no urgency, and one of the very few house records that improves when you stop paying attention to it.
- Number 4 on The 10 Best Deep House Albums
Moodymann — Silentintroduction1997
№ 53 on The 250 Best Electronic Albums of the 20th Century
Prince, gospel, dust and crowd noise, deliberately left out of focus. Kenny Dixon Jr. treats mystique as a production value, and the carelessness is entirely constructed.
- Number 5 on The 10 Best Deep House Albums
Theo Parrish — Parallel Dimensions2000
№ 57 on The 250 Best Electronic Albums of the 21st Century
Swing pushed to the edge of collapse and dust used as a compositional value. Parrish handles time the way a jazz drummer does, which is why producers take these records apart rather than simply enjoying them.
- Number 6 on The 10 Best Deep House Albums
Herbert — Around the House1998
№ 114 on The 250 Best Electronic Albums of the 20th Century
Microhouse with a beating heart and a manifesto behind it. Kitchen sounds and domestic noise under Dani Siciliano's voice, and far warmer than a concept record has any right to be.
- Number 7 on The 10 Best Deep House Albums
Move D — Kunststoff1995
№ 82 on The 250 Best Electronic Albums of the 20th Century
Heidelberg warmth, passed between producers like a secret and rediscovered by a new audience every few years. The most quietly beloved record in this field.
- Number 8 on The 10 Best Deep House Albums
Isolee — We Are Monster2005
№ 160 on The 250 Best Electronic Albums of the 21st Century
Rajko Müller writes melodies that never quite resolve and rhythms that never quite settle, and the record stays warm throughout in a way microhouse almost never managed. Half of minimal's melodic wing has been studying it since it landed, mostly without getting near it.
- Number 9 on The 10 Best Deep House Albums
Blaze — 25 Years Later1990
№ 187 on The 250 Best Electronic Albums of the 20th Century
New Jersey gospel house written as a song cycle rather than a set of tools, closer to Motown than to Chicago. Hedge, Milan and Herbert wrote and sang their own material when almost nobody in house was doing either.
- Number 10 on The 10 Best Deep House Albums
Omar-S — Just Ask the Lonely2005
№ 127 on The 250 Best Electronic Albums of the 21st Century
No distribution deal, no press, no interest in your opinion. Stubborn, unpolished Detroit house that sounds like an afternoon's work and has outlasted records that took years.
Eleven to twenty
Ranked, and held to the same rules as the ten.
- Number 11 on The 10 Best Deep House Albums
Huerco S. — Colonial Patterns2013
Cracked, tape-worn house from Kansas City, and the record that made lo-fi an aesthetic position rather than a limitation.
- Number 12 on The 10 Best Deep House Albums
Efdemin — Efdemin2007
№ 69 on The 250 Best Electronic Albums of the 21st Century
Hamburg reserve over Detroit longing. Minimal house with an inner life at a moment when most of it had none.
- Number 13 on The 10 Best Deep House Albums
DJ Koze — Amygdala2013
№ 22 on The 250 Best Electronic Albums of the 21st Century
Funny and devastating inside the same bar, which nobody else manages. Sits between this list and the parent.
- Number 14 on The 10 Best Deep House Albums
Shinichi Atobe — Heat2018
The Chain Reaction ghost making dub-house miniatures that sound tossed off and turn out unimprovable.
- Number 15 on The 10 Best Deep House Albums
Octo Octa — Resonant Body2019
№ 197 on The 250 Best Electronic Albums of the 21st Century
Euphoria treated as self-acceptance rather than escape, and the most open-hearted record in the modern field.
- Number 16 on The 10 Best Deep House Albums
Kassem Mosse — Workshop 192014
№ 181 on The 250 Best Electronic Albums of the 21st Century
Hardware house that wobbles like it might fall over and never does. Timing a computer cannot fake.
- Number 17 on The 10 Best Deep House Albums
Charles Webster — Born On The 24th Of July2001
№ 81 on The 250 Best Electronic Albums of the 21st Century
Headphone house rather than club house. Intimate, unshowy, and deeper than its surface manners suggest.
- Number 18 on The 10 Best Deep House Albums
Maxmillion Dunbar — House of Woo2013
№ 179 on The 250 Best Electronic Albums of the 21st Century
Washington DC's Future Times crew at their most sun-warped, and the defining American outsider-house record.
- Number 19 on The 10 Best Deep House Albums
Move D & Benjamin Brunn — Songs from the Beehive2008
№ 205 on The 250 Best Electronic Albums of the 21st Century
Two synthesists improvising at the border of house and ambient, never once losing the thread.
- Number 20 on The 10 Best Deep House Albums
DJ Python — Mas Amable2020
№ 43 on The 250 Best Electronic Albums of the 21st Century
Reggaeton slowed until it turns into ambient music, and one of the very few genuinely new dance ideas of its decade. Piñeyro calls it deep reggaeton, which is the more accurate label and the reason it sits here rather than in the ten.
Near misses
Records considered and not ranked, with the reason each fell short.
Kerri Chandler — the Madhouse yearsNot eligible
One of the most important producers this music has, and no album to rank. His work lives on twelve-inches and label collections, which a canon built on albums cannot reach.
Ten City — Foundation
House's first great song album, and it belongs to the parent list where the gospel and disco parentage is the point. Deep house is the register it helped invent rather than the one it works in.
№ 118 on The 250 Best Electronic Albums of the 20th Century · № 9 on The 10 Best House Albums
Larry Heard — Alien
The other essential solo Heard, and colder. Sceneries Not Songs covers the same ground with more warmth.
Luomo — Vocalcity
Vocal microhouse stretched to breaking point, and quietly one of the most influential records of its decade. Outside on depth rather than craft.
№ 14 on The 10 Best House Albums
Glenn Underground — Atmosfear
Chicago's jazz flame kept properly alight, with real keys and real arrangement. Loses to Heard on originality rather than on playing.
Ricardo Villalobos — Alcachofa
Microhouse in the minimal direction rather than the deep one. A different register, and it ranks seventh on the 21st-century canon already.
№ 7 on The 250 Best Electronic Albums of the 21st Century · № 9 on The 10 Best Techno Albums
How this list was built
Ten from 98 records considered, running from Chicago in 1986 to last year. The field took in Detroit and New Jersey, the German microhouse producers, the outsider-house generation and the modern American wave, because deep house has never been a single city's music and a list drawn from one would be a smaller argument.
Five of these ten also appear on the house list, including the record at the top of both. That is not an oversight. The house page asks which records define the whole tradition and this one asks which define a register inside it, and Another Side happens to answer both: it is where house became songs, and it is where deep house arrived more or less fully formed. Where the two lists differ is the more interesting part. Daft Punk, Basement Jaxx and Frankie Knuckles carry the parent and have no business here, while Move D, Omar-S and DJ Python rank far higher on this page than they ever could on that one.
Every deep house record on this site, ranked within its own canon rather than against each other, is on the deep house genre page.