Neil Barnes and Paul Daley took years over everything, worked with John Lydon and Toni Halliday, and built a live show loud enough to damage the venues it played. Leftism was the argument that British dance music could be an album form rather than a singles market, and it won that argument outright. Rhythm and Stealth charts too.
- Number 5 on The 250 Best Electronic Albums of the 20th Century
1995 - Number 81 on The 250 Best Electronic Albums of the 20th Century
1999
