Music For The Quiet Hour

Shackleton stretches his rolling, polyrhythmic post-dubstep language across one continuous suite on Music For The Quiet Hour. The ritualistic pulse holds the long form together. Details keep shifting underneath it. The suite itself runs five parts and sixty-five minutes, with a second hour of material after it.

Skull Disco's polyrhythms grown into a single hour-long work with narration and no interest in your dancefloor. It belongs to dubstep by lineage and to almost nothing else by sound, which is what makes it essential.