
John Coxon and Ashley Wales orchestrated drum and bass like chamber music and then moved into free jazz with Evan Parker and Matthew Shipp, which in hindsight was always coming. 68 Million Shades treats jungle as raw compositional material rather than a dancefloor form, and it is the genre's art-school wing at its lushest.
- Number 181 on The 250 Best Electronic Albums of the 20th Century
1996