Klaus Dinger played a beat that does not vary for ten minutes while Michael Rother let the guitar drift over the top of it, and half of what followed in German music runs on that principle. The pulse is human rather than sequenced, which is the point: this is where the tradition's rhythm was worked out before a machine was asked to hold it.
Ranked on the genre lists
1 record
- Number 9 on The 10 Best Kosmische and Berlin School Albums
1972
