Erik Wiegand builds his own instruments, which is why nothing on his records sounds like anything else. Superlative Fatigue arrived after a decade of near-silence and is unreasonably cheerful: rubbery, unfamiliar, danceable, and completely strange. The rare record in this field that is genuinely fun without being any less odd for it.
Ranked on the genre lists
1 record
- Number 5 on The 10 Best Experimental and Deconstructed Club Albums
2017
