Third Law

Third Law sounds like architecture failing in slow motion. Roly Porter works with bass pressure, metallic mass and huge empty spaces instead of a regular pulse, so movement comes from things looming closer, receding or suddenly seeming much larger than they were a minute ago. 'Mass' and 'Blind Blackening' are where the scale stops being metaphorical.

Vex'd's other half gone orchestral and cosmic. Scores gravity, and works without needing a beat to hide behind.